DANGEROUS DAYS

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Motherfucking FOX...you never did know a good thing when you saw it. You fucked "Firefly", killed "M.A.N.T.I.S.", tried your hardest (and eventually succeeded) to sabotage "The X-Files" and now, you've worked your magic once again on Ron Moore's "Virtuality".

Like "Sucker Free City", this 2-hour pilot turned standalone movie suffers greatly from the fact that it was never given the chance to actually tell it's story, but had it been picked up as a series, it could have been one of the standouts of network television. The story follows a 12 person crew on a 10 year voyage to a nearby star system. In order to cope with the isolation and prevent people from flipping out and shooting the joint up, each crew member is given their own personal virtual reality device that allows them to create whatever world they want and escape there when not on duty. Sounds pretty straight forward except for one fact - this whole mission is being recorded, edited and broadcast as a reality TV show back on Earth, which in turn helps to fund the mission. When people's VR sets start going crazy and killing them in their dreams, we're never quite sure if it's a glitch in the system, one of the crew members fucking about or the network execs back on Earth trying to spice things up for ratings.

"Virtuality"'s blend of psychological space drama, virtual-reality fantasy and "Big Brother"-esque reality TV was a truly unique concept with endless possibilities, not only for weekly episodic content, but also for cross-media promotion to drive viewers to Fox's website. But who needs increased viewer loyalty and extra ad-revenue anyway? Especially when you can just churn out another few seasons of "American Idol" or "So You Think You Can Dance" and not have to pay anybody for their talent contributions.

But how many damn years was "Melrose Place" on again? They couldn't give this shit 1 season?

FAIL, FOX...FAIL!

Give this some time if you're into: Battlestar Galactica, 2001, Star Trek, heady sci-fi where a bunch of shit doesn't blow up with lasers, lamenting the possibilities.

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One of the lesser known Spike Lee joints, "Sucker Free City" was conceived as an original series for Showtime, but for whatever reason they sat on it for awhile and never bothered to greenlight the series. Eventually, it became clear that the show had no hope and so the 2-hour pilot was released as a standalone film.

Set in my home turf of San Francisco, California, "Sucker Free City" is the story of 3 men from different backgrounds, living in completely different worlds that coexist just miles apart from each other in relative seclusion. A black kid growing up in the crime-ridden ghetto of Hunter's Point, a Chinese kid raised in the gang-ruled Chinatown neighborhood and the son of 2 former white hippies being forced out of their home in the newly gentrified Mission district are our windows into the vastly disparate micro-climates of modern San Francisco. Each character has his own troubles and faces his own obstacles, but in the end they are all simply trying to make something of themselves in a world that cares little about them and even less about those aforementioned obstacles. The real focus of the story, however, is not how different these characters are, but how closely their actions resemble one another and how easily someone without the feeling of hope or purpose can wind up treading a path that only acts to continue the cycles of economic and social oppression.

For those used to seeing the shiny-happy, Rice-A-Roni depictions of "the city by the bay", Spike Lee's portrayal is a much needed reality check. The truth of the matter is San Francisco is one of the most culturally, racially and economically complex cities in the world and "SFC" is probably the first piece of popular media I've encountered that attempts to accurately show that diversity, warts and all. It's an incredibly rich tapestry of possibilities that ultimately will never have the chance to be explored because Showtime not only did this show dirty, they also did themselves dirty by passing on what could have possibly been their only answer to HBOs complete and utter domination of pay-cable programming.

Judging "SFC" as a standalone movie is nearly impossible because watching makes it abundantly clear that we're only seeing a tiny fraction of something much, much bigger and in the end most of what is presented is never resolved. But if you watch it keeping in mind that it was meant to be so much more, you can at least appreciate the attempt to capture something on film that had never really been tackled before and is much too complex to cover in a mere 2 hours. Sorry "Sucker Free City"...if you hadn't been done so dirty, you could have been a real classic.

*Pours some out for the homie that never even had the chance to be here.


Give this some time if you're into: The Wire, Spike Lee's other joints, San Francisco, cultural ghettos of all shapes and sizes, racial politics...you know, standard Spike Lee shit.

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In the realm of television shows that have been done dirty by their networks, Carnivàle is probably the hardest pill to swallow of them all. With all the potential this series had, the fact that HBO let it go after only 2 seasons is a crime against humanity. As such, only 2 of the planned 6-season story arc made it to film, which is a real shame because it could have been so epic!

Even so, the 2 seasons that do exist are some of the best television ever - period. Chances are you've never seen anything else like it. It's eerie, dark, sleazy, magical and engrossing. It's set in America's dustbowl in the 1930s - the last great age of magic, as they say in the show - when the old world is dying and the new world is taking root. The story centers around a traveling carnival filled with freaks, geeks, hicks, bearded ladies, psychics and floozies dancing the cootch, but also contains a parallel storyline focused on an evangelical preacher with a strange gift and questionable intentions. Over time, the two seemingly separate stories begin to merge together and the result is amazing. The pacing is slow, but each consecutive episode builds and builds, so the story and the mythology unfold over time. By the end of the first season, you will be completely immersed in the world and you'll start cursing the fact that there's only 12 more episodes left and that's it for the rest of eternity. I can't believe they made 6 seasons of the fuckin' Sopranos, but couldn't even give this show a proper run. Not that I'm hating on The Sopranos - it's just that Carnivàle is on a whole other level. Watch and you'll see.

Fuckin' Italians.


Give this some time if you're into: forgotten magic, weird Gnostic, Christian and Masonic myths, alternate histories, dark vs. light stories, fantasy, just plain old bomb storytelling.

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In this week's batch of Flash Reviews we're spotlighting great shit that was done dirty by the man and you can't talk about epic filmic disses without mentioning the mother of all fuck ups, "Superman II". Long before every other movie to hit the theater was a comic book adaptation of some sort, there was only Richard Donner and his sprawling vision for an epic Superman trilogy. Unfortunately, 3/4ths of the way through filming "Superman II", Donner was booted from the project, the script was rewritten and about half of the scenes reshot by the new, studio-hired director, Richard Lester. You can read the whole sorted drama here, but the long and short of it is that the studio didn't want to give Marlon Brando a cut of the films profits, so they did everything they could to remove him from the project, resulting in a completely different film with a much different tone and a much more cartoony treatment.

For over 20 years, Donner's footage sat in the vaults gathering dust until finally, fan pleadings and Margot Kidder's psychotic ramblings led to the creation of "The Richard Donner Cut". While this isn't the movie Donner envisioned from the start, the studio gave the director access to all his old footage and the freedom to recut it to be as close to his vision as possible. The result is a choppy, but ultimately great superhero story - probably the best superhero movie of all time, save Tim Burton's Batman movies, if you ask me.

There are some downsides - Donner's original ending for "Superman II", Superman flying around the Earth at super fast speed to turn back time, was tacked onto the end of the first film because it was the most impressive special effect they had at the time, so now that the sequel has been re-edited and that ending replaced, both the first and second films have the exact same ending. But to Donner's credit, it works a lot better in "Superman II" than it did in "Superman". There were also a lot of scenes that were never shot, so test footage was used instead, resulting in a few discontinuities within scenes, but overall these are minor problems that you might not even notice if you're not looking for them.

Give this some time if you're into: superhero movies, Superman, retcon, seeing things done the way they should be done.